Ways To Go

Your bed was in my dream last night
Beige knit bedspread
Reaching out to my hand
Where I lay on the floor
Counting the wooden tiles
Like building block pieces
In checkered patterns

Now right to left
Now up and down

Cheap and replaceable
So tenants destroy just one small part
With cigarettes left burning
Or oil spilled from bottles promising VEGETABLE
So mothers can count ten servings
With bags and jars and mixes and cans
On pyramids sent back to school

You were on your bed last night
As young as I am now old

Now brown haired
Now grey
Now brown

Because I am dreaming
I do not hate you
And you smile
And you hurt me
And I think of ways to go.

by Heather Emme

To read all the #verseday poems, click here. To read my twitter poems, click here.

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Due Process

I un-followed a Canadian author who helped shape my identity as a human and as a creator. I un-followed her because of a letter she signed. To be clear (because no small statement is ever clear) I did not un-follow her forever. My feed is an ebb and flow of the things I enjoy, the things that give me hope and the things I hope to know. My feed serves me. That’s why it’s mine. I may find, in the near future, that reading her small, instant words feeds me. For now, I’m choking on it. I also did not un-follow her simply because she took a political or personal action I disagree with. She has built up enough good faith as a creator that I see no need to view the world through a lens identical to hers. I un-followed her because it hurt.

Two words she threw out like a casual sprinkling of flavour on a massive meal: Due process.

I am a sexual assault survivor. I am a multiple sexual assault survivor. In almost every case, it was a man who held cross-sections of power attempting to or succeeding at misusing my physical and emotional form because they could.

When I started to realize – well into my teens – that what had happened to me was, indeed, against our presumed social contract, I began the process of seeking my due.

Due process simply means fair treatment in the judicial system. Not only fair treatment for the person who stands accused, but for the person who stands destroyed. Too visceral? Too emotional? Probably.

Here is due process to a person who has been raped, sexually abused or sexually assaulted:

1

Tell someone. This person may be yourself. Often that’s the first person you tell. If you are young, you may tell yourself after a book or a flyer in your school or an episode of Degrassi confirms that the tearing and ripping inside you is not an anomaly, but a reaction. There’s an overt message that you are not alone in numbers, but 1000 subtle messages that you are probably alone regardless. If you are an adult, telling yourself can happen during, or just after or years later. It can happen when you do that math inside your head that says if I scream he will kill me or if I just make it to the end it will be over and she will leave. Math is a process. Math figures out how much more they have to weigh than you to hold you down. Turns out, it’s not that much. It is not fair that this is how you must talk to yourself, but neither is it judicial, so we will pass this step.

2

Tell another someone. Maybe a friend. Maybe using code words. In my case, it was a guidance counselor. She was not the first person I told, but she was the first to break the code. There is a good chance that the person you tell will not believe you. They may try to find a way to show that it was your fault. This is about you, but it’s also not about you. It’s about constructing a safe cocoon of control that says I would not have made those choices so it would not happen to me or I did something similar once and I am not a villain. Sometimes they will believe you, but since they have spent a same lifetime watching dashing men on film win women over by hands-over-ears ignoring their nos and stops and I mean stops, they will wonder if it isn’t just the way things are. This is also not fair. Now that you have told someone, we may be drifting into the judicial. After all, everyone you tell, even your diary or your mother, can be called up later to testify. That’s the process. Maybe it’s better to say nothing at all, and to smile in pictures at picnics, but then, those pictures may also be called to testify. Anyone/thing you tell is likely to come back at you. This blog could come back at me. Every time we speak, we give a piece of ourselves to that process that we cannot take back with honest words. Words are not proof.

3

Tell the police. Go to the police. We use ‘the’ with police because everyone knows what you mean. No need to give qualifiers, adjectives. They are the police. The police with candies at parades and dirty looks when you walk in groups with other people from school. The police who, perhaps, look more like your assailant than you. Here the process comes due. If you have made it to this part in the process, you are one of only 6 out of 100. 94 out of 100 people chose to stop at step 1 or step 2. You sit in a room or curl up in a ball in a room or pretend you are not in a room and try to take something that is bigger than any part of you and break it down small enough that it will fit on a piece of paper that can go in a file in a drawer or on a computer and maybe turn into fair treatment in the judicial system. If this outcome were common, there would be more than 6 of you. It is not common. Numbers show that. Stories show that. Rooms full of women secure that no one is listening show that. Our arms and our medications and our nervous ticks show that.

4

There are two ways this step in the process can go. You may find, like I did, like a fall from a high height that lands you square on your back, that the last step takes all the wind out of you. It is okay if your process ends here. The next step involves lawyers. Lawyers are people who went to school for a very long time to study a system created before most folks could vote or own property or avoid being property. An apple tree can grow a thousand ways, but it’s still an apple tree. Until we plant something new, this is our only apple tree. This apple tree sucks. People will tell you to have faith in it. They may point to new branches that have grown since you were considered a person. They may say that the roots are strong enough to maintain us through change. That is bullshit. Only 1 out of 65 of us will see fruit from this tree and that fruit is often small and full of worms. Have I lost you? Anyone who tells you that you should not have feelings until due process is served is choosing not to see that no matter how nobly an idea may grow, it is only by its fruit that we can truly judge it. There is no fucking fruit.

5

Some people may think that the previous step is the last one in the process, but there is another. This is a step we take when we’ve exhausted one of the previous steps and found that, no matter what the promise of fairness is, the social contract we have signed has crap clauses. It has the clause that wealthy people and famous people and popular people and really any people can still succeed, no matter what they do to us. They can be free. They can be loved. They can be president. It has a clause that says we are to stay very, very silent no matter what happens, unless the tree gives us grand, ripe fruit. They do not point out the very small text that says it rarely does – and then usually when very pretty and convincing humans with pristine pasts and no scars point at very mean looking humans and say, “it was them!” So what do we do? We hold our hand to our mouth and with a theater aside, we whisper our stories in quiet spaces. We write maudlin poetry and carve lyrics on our bellies. We cry when we masturbate and flinch at gentle touches. We sometimes throw the contract out and shout and shout and shout, only to be met, finally, by a two words that I can no longer bear:

Due process.

Time/Space

He is a scientist
What’s more
An engineer
And he can hear
The drum, the thrum,
The humming of the gears

And he can tell
(Like the top was popped)
What’s underneath
What’s buzzing in my ears

One time he told me
Time
The line
Is not a line
It slips and slides
Like gears that grind
Until their teeth
Are powder fine
Until their teeth are gone

I know that song
My active head
I lie abed
I’m lost in time
Not powder fine
Not faded by
These years
These gears
My teeth, they grind
Until they’re flat
They make
A line
And all the points are gone

And now I ride a bus to school
A bus that takes me
Back in time
Past places that are not in line
Past buildings where I took up space
The place
They ground me down
The face that I have found
I’m bound
Lost in a sideways eight

I think on what he said
My bed
My teeth
My gears
My years
My head

I hope time is not linear

So she hears what I say to her
The girl trapped in the infinite
The halted time of being hit
I whisper to her not to quit

“You’ll be okay
You’ll be okay
You’ll be okay
Okay”
I say

Until we pull away

by Heather Emme

To read all the #verseday poems, click here. To read my twitter poems, click here.

Trigger Warning

“There are no warnings in real life.”
He said
Sipping from a cup marked CAUTION:HOT

“You just have to deal with what comes.”
He signaled right

“There are no warnings in real life.”

Beware of dog
Slippery when wet
Hidden corner
Alarm will sound

“There are no warnings in real life.”

Watch for falling rocks
Flashing lights may cause seizure
Edges are sharp
Handle with care

“You just have to deal with what comes.”

by Heather Emme

To read all the #verseday poems, click here. To read my twitter poems, click here. To read my post on trigger warnings, click here.

If I Ever Liked The Night

If I ever liked the night
If it ever liked me back
That was so very long ago
So long ago
In fact
It may have been
Inside the womb
Ripe with the smell
I remember it well
Of his cigarettes
And her ice cream cones
The sound of their fights
The frenzied tones
Through the thin skin walls
I remember it all

If I ever liked the dark
When we lit sparklers
In the park
Enough, ablaze
To scare away
The nighttime
To convince the day
To stay (which was impossible)
At a festival in the early fall

If I ever liked the moon
When he visited my room
Cool like the fights
Inside the womb
An exploration of my
Skin
Thin, like hers
Afraid, like him

by Heather Emme

To read all the #verseday poems, click here. To read my twitter poems, click here.

Pen Strokes

Our nakedness is suspect
It is secret
It is sold
Our physical exposure is commoditized
And airbrushed clean
And slid from left to right
Pores abolished
Scars expunged
Our nature is covered in pen strokes
Until there is no naked left
But only the art of men

Our passions, they are suspect
They are secret
They are sold
Our conceptual exposure is commoditized
And edited clean
And slid from left to right
Forthrightness abolished
Hurt expunged
Our spirit is covered in pen strokes
Until there is no passion left
But only the words of men

by Heather Emme

I’m still in surgical recovery, so poems are keeping my blog alive. To read all the #verseday poems, click here. To read my twitter poems, click here.

Pause

I want go back
To Rexdale and say
They stopped a parade for you
The noise they made for you
The way they stayed for you
Your life matters

by Heather Emme

I’m still in surgical recovery, so posts continue to be brief and scattered. This is the first time I’ve posted one of my twitter poems to #verseday. I felt this was worth repeating. To read all the #verseday poems, click here. To read my twitter poems, click here.